Showing posts with label jadepunk. Show all posts
Showing posts with label jadepunk. Show all posts

Tuesday, 14 April 2015

Combining Tianxia martial art styles with Jadepunk

Tianxia Blood, Silk and Jade is a martial arts action game produced using the Fate Core system from Evil Hat Publishing, I bought a PDF of it recently when it was mentioned by Lloyd Collins (JarlDM) in a Google Hangout; as with most wuxia related Fate purchases my first thought in buying the game was 'How can I use this in my currently running Jadepunk game?"

If you're interested in the Jadepunk game you can find videos of all the sessions here: https://www.youtube.com/playlist?list=PLMlEyLAkrE__EfHHAfYIIekLdh4qwJxOK and my review of the system here: https://youtu.be/aMiWg_zTlfg

Unfortunately we were down a player in our last session (due to RL circumstances beyond control) and I didn't want to continue the main plot with a character missing so I decided to run a flashback, asking the players what element of the setting they'd potentially like to find more about; it was suggested that, since in the present day of the setting we're approaching the time when the Four Winds martial arts tournament is being held, that perhaps a flashback to a previous tournament might be interesting.

Since we were doing a tournament where a number of bouts would take place, but I didn't want them to drag on, I decided first of all to use the excellent Jadepunk duelling system which allows quick one-on-one combats to be held using a slightly tweaked version of the contest system in Fate Core, but I really wanted the different martial arts styles and techniques to stand out from each other. While virtually flipping through the PDF of Tianxia I discovered the section on martial arts.

Essentially in Tianxia each character creates a martial arts style by pairing an element with a body substyle so you might have Forest Monkey, Stone Dragon or Lightning Tiger for example; each of these substyles offers a description of how the style looks and gives three Stunts for each of them (so 6 in total for a complete style) as well as a final secret technique that a practitionner can only master once they have all of the other Stunts in their technique.

This is a nice simple way of creating difference between martial arts techniques so I used in the game system and it worked quite well, although I had to make a few tweaks on the fly to get it to work (especially since they weren't designed to work within the contest framework of Jadepunk's duelling system).

Below are some suggestions for using Tianxia's system in Jadepunk, and also notes on using them in a duel:

Element Substyles

  • Forest: A technique where the martial artist adapts to their surrounding and uses it to their advantage.
    • Forest Hides the Beast: A tie in a melee based defence action grants no boost to your attacker.
    • Forest Opens its Paths: If you use explorer to overcome and obstacle with style, you may turn the obstacle into an advantage with a free invocation instead of taking a boost.
    • Leaves Like Razors: When invoking a situation aspect of environment based advantage in a melee attack count as having +2 harmful if the attack is successful (or you gain +2 shifts to your degree of success if in a duel).
  • Ghost: This style relies on focusing internal energies and flowing effortlessly from attack to defence.
    • Exalted Ghost Body: Gains +2 protective when not attacking that combat turn; in a duel if you use the +2 protective from this technique then you only gain 1 victory and may not succeed with style.
    • Ghost Haunts the Shadow: Gains a +2 on scoundrel rolls to create an advantage based on moving silently or remaining unseen.
    • Ghost Strikes the Spirit: Ignores 1 point of protection when making a melee attack, and adds an additional +1 shift of harmful to a successful attack against a foe who has less martial arts based stunts than you.
  • Iron: Practitioners of this style make themselves hard and unyielding, taking and resisting enemy blows.
    • Iron Cleaves the Stone: Ignore 2 points of protection when making an attack to inflict physical stress.
    • Flesh Breaks on Iron: When you defend against a melee attack with style, you may inflict a 2 shift hit on your opponent instead of taking a boost. In a duel, if you defend with style then your opponent takes a 2 shift hit, in addition to any victories they offset using stress/consequences.
    • Iron Body, Iron Mind: +2 bonus to create advantages related to resisting or coping with pain, intimidation or fear.
  • Lightning: Cultivating both speed and power to overcome your enemy.
    • Lightning cross the sky: When you succeed with style on a melee attack you may move 1 zone in addition to gaining a boost, if someone tries to stop this movement you gain a +2 to overcome.
    • Lightning splits the tree: When you succeed with style on a melee attack you may remove an invocation on an existing advantage affecting you, instead of taking a boost.
    • Lightning strikes without pause: You gain a +2 bonus when determining intiative.
  • Stone: Deliberate and uncompromising action focusing on making the most of the artists natural abilities.
    • Mountain does not fall: You gain a +2 bonus to defend against attempts to create an advantage based on unbalacing, pushing, tripping or knocking over the defender. If an opponents technique allows them to automatically create such an advantage with free invocations then they gain one less free invocation.
    • Stone resists the blow: You gain 2 protection against any physical attack you are aware of.
    • If you defend with style you may remove your first stress box or convert another stress box to 1 lower rather than taking a boost.
  • Storm: Fluid and unpredictable, masters of the storm styles move quickly between attack and defence to keep their opponents off guard.
    • Storm shakes the foundation: When creating an advantage you may trade free invocations to remove free invocations from another character's advantage.
    • Storm rumbles in distance: Make a Fighter or Explorer roll with a +2 bonus to create an advantage based on controlling or redirecting momentum.
    • Storm flows around mountain: If a target uses a full defence in combat against you, gain +2 bonus to your next attack against them (whether their defence succeeds or not).


Body Substyles

  • Crane: Using fluid movement, misdirection and swift movement to overcome their foes.
    • Crane hides in reeds: Add +2 protection when using full defence to defend yourself in combat.
    • Crane sleeps standing: +2 bonus when overcoming physical obstacles by on physical obstruction or poor footing.
    • Crane stuns the carp: If you succeed on a melee attack with style, you may create a stunned advantage on the target with a free invocation instead of taking a boost.
  • Dragon: Dragon styles focus on a balance of speed and power, borrowing strikes from other techniques; practitioners develop a hissing breathing technique.
    • Dragon rules the fields: When you succeed with style on an attack, gain a boost with a +3 bonus instead of the usual +2.
    • Dragon rules the heavens: Use Fighter instead of Explorer for rolls involving entering zones or preventing others from doing so. If both Fighter and Explorer skills are equal, or Explorer is higher, then gain a +2 bonus instead.
    • Dragon sleeps in the mist: When you succeed with style on a defence you may reduce the the result by 1 to gain +2 protection rating against the next attack in the scene that strikes you, in addition to the normal boost. In a duel you may reduce the number of victories gained by 1 in order to gain +2 on your roll in the next round.
  • Monkey: A collection of unconventional acrobatic styles.
    • Monkey grabs the peach: Add +2 harmful to an attack where you invoke a consequence that the defender has.
    • Monkey dances in moonlight: When succeeding on a defence with style, you may create a distracting movements advantage with a free invocation instead of the normal boost.
    • Monkey rolls away: When invoking an aspect or advantage during a defence roll, gain +2 protection rating against the attack if it succeeds.
  • Pheonix: Focus on balance, agility and re-directing the force of an opponents attack.
    • Pheonix beats its wings: If you defend with style you may gain an off balance advantage with a free invocation instead of a boost.
    • Pheonix calls to the heavens: Once per session you may reduce physical stress taken by 2 shifts. If this technique is used in a dual then you may nullify up to two victories scored in a round without actually taking a moderate or severe consequence.
    • Pheonix laughs at the sun: If you succeed at an overcome roll using Explorer or Fighter with style, you may create a situation aspect with a free invocation instead of taking the normal boost. 
  • Serpent: Masters of the serpent style are known for being fast, efficient and ruthless.
    • Serpent bites the hand: If you gain shifts on defence you can sacrifice your action next turn to immediately inflict an attack on your opponent using the shift value of your defense as the attack result.
    • Serpent strikes first: Gains a +2 bonus when initiative is determined.
    • Serpent strikes twice: +2 bonus to rolls to create advantages based on disorientation, distraction or unbalancing against opponents that you have already inflicted stress on in this combat.
  • Tiger: Tiger styles are about power, ferocity and inflicting maximum damage to your opponent.
    • Tiger moves with purpose: Move at least 1 zone and make an Explorer attack or make an Explorer attack on a target that has just moved into your zone, add +2 shifts to any damage you inflict with this attack.
    • Tiger rends the flesh: When you tie on a roll using Fighter for defense you can inflict a +2 point shift physical attack instead of taking a boost.
    • Tiger rules the jungle: You gain +2 bonus to overcome aspects and advantages based on provocation or psychological manipulation.

This list in no-where near exhaustive, there are additional techniques listed in Tianxia including the mastery level techniques and secret/lost martial arts styles, I highly recommend you give it a look if you're after some additional ideas for a high action martial arts RPG; the rules are (with a little tweaking) compatible with Fate Core/Accelerated games and I would expect most other games using the rules system as a base.


Saturday, 11 April 2015

Jadepunk ready made stat blocks

For those of you who may not be aware, i'm a massive fan of the Fate system by Evil Hat Productions in particular Fate Accelerated Edition is the build of the game that is my go to game when wanting to run a quick one-shot or even just a game that players can jump into quickly and enjoy getting caught up in playing the characters they envision rather than getting snarled up in overly complex character creations processes and hundreds of pages of complex rules.

Fate Accelerated Edition (FAE for short) using six Approaches to define the stats of characters (instead of Skills as with Fate Core), choosing to define character less by what they know and what they do but more by how they do it, these Approaches are:

  • Careful
  • Clever
  • Flashy
  • Forceful
  • Quick
  • Sneaky

 (If you want to know more about Fate Accelerated you can find details on the excellent SRD site here: http://fate-srd.com/fate-accelerated-fae-menu)

One of the things I love about FAE is that right at the start it gives you six example spreads of Approaches to create six archetypal characters:



  • The Brute:
    Forceful +3, Careful and Flashy +2, Sneaky and Quick +1, Clever +0
  • The All-Star:
    Quick +3, Forceful and Flashy +2, Clever and Careful +1, Sneaky +0
  • The Trickster:
    Clever +3, Sneaky and Flashy +2, Forceful and Quick +1, Careful +0
  • The Guardian:
    Careful +3, Forceful and Clever +2, Sneaky and Quick +1, Flashy +0
  • The Thief:
    Sneaky +3, Careful and Quick +2, Clever and Flashy +1, Forceful +0
  • The Swashbuckler:
    Flashy +3, Quick and Clever +2, Forceful and Sneaky +1, Careful +0

These samples spreads are a great time saving device if you are playing a quick pick up game or you just want to jump straight in, you pick the type of character you want to play, bang on some Aspects and Stunts and you're good to go.

So you might be wondering why i'm banging on about Fate Accelerated when the title of the post mentions Jadepunk; well recently i've been running a Jadepunk game using Google Hangouts for a small group (you can see the actual plays here if you're interested: https://www.youtube.com/playlist?list=PLMlEyLAkrE__EfHHAfYIIekLdh4qwJxOK) and it seems to be going quite well, we're on our ninth session. For those of you who aren't aware Jadepunk is a game by Re-Roll Productions that uses a slightly tweaked of the Fate rules to tell exciting stories that blend elements of Wuxia, the wild west and steampunk fantasy into a very compelling and exciting setting full of potential for great storytelling; Jadepunk uses a number of Professions rather than Approaches or Skills to define characters:

  • Aristocrat
  • Engineer
  • Explore
  • Fighter
  • Scholar
  • Scoundrel
 
However there's one thing that isn't in Jadepunk that i'd have liked to have seen, yep you guessed it, the example stats spreads that are found in Fate Accelerated Edition; you could argue that they're not really necessary and (truth be told) I don't think the game suffers massively from their absence, however they are a handy thing to have access to so i've come up with six archetypal character Profession spreads for you to use in your Jadepunk game:

  • The Honourable Warrior/Samurai:
    Aristocrat +2, Engineer +0, Explorer +1, Fighter +3, Scholar +2, Scoundrel +1
  • The Jadetech Engineer:
    Aristocrat +1, Engineer +3, Explorer +2, Fighter +0, Scholar +2, Scoundrel +1
  • The Idle Noble:
    Aristocrat +3, Engineer +0, Explorer +1, Fighter +1, Scholar +2, Scoundrel +2
  • The Sage:
    Aristocrat +2, Engineer +1, Explorer +2, Fighter +0, Scholar +3, Scoundrel +1
  • The Thief/Shadowy Assassin:
    Aristocrat +0, Engineer +1, Explorer +2, Fighter +2, Scholar +1, Scoundrel +3
  • The Pioneer/Explorer:
    Aristocrat +0, Engineer +1, Explorer +3, Fighter +2, Scholar +2, Scoundrel +1


     

Sunday, 4 January 2015

[Handout-RPG] Jadepunk NPC Journal

In addition to providing a newsletter for my players (as detailed in my last post here) I also wanted to create a sort of NPC journal that would store details on major NPCs that have been encountered and that would act as an aide memoir for both my players and myself; i've created a rough draft PDF document that i've uploaded to the game's facebook group, there are only a couple of NPCs in it at the moment since we've only just done our first session, but it will grow as the game goes on.

I attach a couple of screenshots below:



[Handout-RPG] First issue of my Jadepunk Newsletter

As you may have seen in previous posts i've been toying with the idea of making a newsletter for my Jadepunk game and i've now completed the first issue, thought i'd post the link here incase anyone wanted to have a look (it's fairly basically in terms of layout since I didn't want it to be unnecessarily cluttered or over-complicated).


To make this available to my players I have posted the newsletter link in a document of useful links that we use and have saved on the games private facebook group.


Friday, 2 January 2015

[RPG] Kaiyu Yuuto



When I originally published my post showing the characters for our Jadepunk, we hadn't yet received the background for Kaiyu Yuuto (played by theRogueDM) since Jenny was feverishly working away on the background, well it's now arrived and it was definitely worth the wait; I thought it was worth putting in a quick post to show the work that has gone into the background, so without further ado, I present Kaiyu Yuuto...

Kaiyu Yuuto


Please note: All of the text below was written by theRogueDM.

Aspect: Portrayal - “Aristo-Rat”

Yuudai: 雄大 juːdæɪː Great, manly; hero
Yuuto: 優翔 juːtɔː Gentle, superior; [to] soar, fly

It’s all in the name.

Aspect: Background – “Black Sheep”
The Kaiyu estate upheld family and honour, and every new addition to the household was given a name that reflected the reputation of the Kaiyu. Kaiyu Yuudai, the eldest son, was no exception; a boy of seventeen, with the entire estate as his inheritance. He was born into the privileged, and the privileged are established for life.

Yuudai was in the middle of his weekly orienteering class with his father. Their route took them through the nearby forest and would last at least another hour. Yuudai was already bored; he knew this forest well and could easily navigate it without a map. He cringed to himself when he remembered what else was to come that day: mathematics lessons until dinner, and then another high-profile soiree. His whole life encompassed elements to prepare him for his role in the Kaiyu household, once he came of age. Yuudai was not yet sure, however, if it was worth it.

Suddenly he broke out of his train of thought when he heard what sounded like shouting coming from off the main path, near the base of a steep hillock. Yuudai insisted that he and his father investigate.

“You’re hearing things,” his father replied. “It is probably just a bird.”

“It sounded more like a person.” Kaiyu Akihiro shrugged indifferently.

“Then it must be a child playing in the pauper huts.” Yuudai hated the term ‘pauper huts’. Kaiyu Akihiro started his horse off again along the main path, but Yuudai had already decided he was going to come back for another look around.

The next morning, Yuudai headed to the forest alone very early. After a more thorough search, he heard someone coming. Thinking it was his father, he hid from sight. However, it was in fact a young girl around his own age. He watched her enter a seemingly invisible opening in the rock which no one could possibly notice unless they knew where it was beforehand.

He followed shortly afterwards through the concealed entrance, which opened up into a large cavern. Torchlight danced off the red sandstone walls in glorious harmony with the silhouette of the girl Yuudai had seen just a moment ago. Gazing at her once again, she was positioned on a raised platform in the centre of the cavern, performing seemingly flawless acrobatics for someone of her age and build. Yuudai, feeling cocky, attempted to sneak up on her. Unfortunately a small piece of driftwood crackled underfoot and immediately he felt a curled fist whack him between the ribs. Yuudai’s knees buckled and he fell to the floor.

“What are you doing here?” the girl barked. “This is top secret! None of you Kaiyu are welcome here!” Yuudai moaned and squirmed on the floor, attempting to get up again.

“Not bad for a girl. Do you always greet a gentleman this way?”

“HA! Gentleman?” she laughed. “Bit small for a gentleman aren’t we! Here, catch!”

Yuudai looked up to see a blade heading straight for between his eyes. Without even having the time to think, he vaulted himself off the floor and clumsily landed a foot away from where the knife now lay in the soft soil.

“Are you crazy?!” Yuudai screamed. “That could have killed me!”

“That was the idea,” the girl replied coldly, before drawing a short wakizashi.

“Do you even know how to use that thing?” Yuudai asked her, still dumbfounded by the situation.

“If you are a gentleman, then fight me like a gentleman. We Jianghu are merciful, after all.” She tossed Yuudai another sheathed wakizashi. Reluctantly he drew it, keeping a close eye on her.

“You are one of the Jianghu?”

She launched herself forward and he barely managed to block her strike, once again landing on the soft floor. His fencing training suddenly engaged in his brain and he nimbly rolled away and stood up in a ready stance – his left hand behind his back and his right hand pointing the wakizashi in front of him. It felt light and balanced in his hand; his hand-me-down fencing swords were nothing like the craftsmanship of this new blade. Now Yuudai’s confidence was growing, he tried to address his attacker once again.

“If you are one of the Jianghu then we are not so different. I may be one of the Kaiyu but I don’t exactly enjoy it.”

The girl performed an uppercut with her blade, and once again the torchlight danced on the red sandstone. This time Yuudai was ready for it and he swept an arc through the air with his own sword. A clang sounded in the cavern and echoed off the walls.

“How could you not enjoy it?” the girl replied angrily. “You have everything. Food, shelter, servants, soft beds… We have none of those things and all thanks to his Most Benevolent Excellency!” Her wakizashi did a quick swipe towards Yuudai’s shoulders, but just in time he veered himself backwards. He backed away even further, intending to put an end to the fight. The girl, however, had no such intention.

“You Kaiyu will not stand in our way while we take what is rightfully ours!”

“I have no intention of standing in your way!” Yuuto shouted. “And stop calling me Kaiyu! My name is Yuudai!” His adversary stopped in her tracks with a puzzled look on her face.
“Yuuto sounds better to me,” she replied with an apathetic look.

As if that’s so important right now! Yuudai thought, but he played along.

“But that’s not my name! My name is Yuudai!”

“Really? So did you name yourself, or did one of your family members decide that name would be fitting for you?” Yuudai was speechless. “If you are a Jianghu, you name yourself. If you have no intention of standing in our way, you are not a true Kaiyu.” The girl sheathed her wakizashi while Yuudai looked at her further.

“What did you name yourself, then?”

“Shizu.” Yuudai laughed.

“But you’re not silent, or else I wouldn’t have heard you.”

“Your father didn’t hear me,” Shizu replied. Yuudai once again said nothing. “You are not like the other Kaiyu. You don’t go running to your mother at the first sign of danger. You seek to know the truth.” Shizu outstretched her hand. “I can show you the truth, Yuuto.” This time, the way she addressed him was poetic and soothing, even if it was not his name. For a split second two silhouettes on the red sandstone were joined and at a standstill as he inhaled deeply, and took her hand.


Aspect: Inciting Incident – “Careless Talk Costs Lives”
Five months passed.

Once again the silhouettes danced on the red sandstone, but they were always joined in some mystical fashion. Yuuto and Shizu were practising their weekly sparring, although this was a much more passionate art than fencing. It spoke to Yuuto much more, and he had improved greatly since the first time he had entered the Jianghu cavern.

Yuuto’s mindset had changed as well. No longer was he caught up in the frivolity of the Kaiyu life as much as his family intended him to be, which concerned them. It was only until he returned home that evening when it became apparent where his father was waiting for him.

Yuuto’s father Kaiyu Akihiro was sitting in his evening armchair, smoking one of his favourite brands of cigar, but once he heard Yuuto enter the house, he drew a breath so harshly that the butt of the cigar resembled a hot poker.

“Been out again, have we Yuudai?” Kaiyu Akihiro questioned while still seated in his evening armchair. Yuuto entered the room, and the heat of the fireplace hit his cold skin. “You look cold, son. Come, sit by the fire for a while and tell me what you have done today.” Yuuto could hear something strange in his father’s tone of voice, and didn’t like it.

“I was practising my fencing again. You know how passionate I am about fighting,” Yuuto claimed.

“Ah yes, you seem to do a lot of that nowadays which is all well and good, but I fear that you are lagging behind in your studies.” Yuuto suddenly tensed up and thought he should make amends.

“Yes, father, I will go and study now,” he said, getting up to leave. But Kaiyu Akihiro stopped him.

“Wait! Hold on, boy!” he replied with a laugh that cut through Yuuto’s heart. “Let me see this sword of yours. It will be interesting to see which one you have shined to the most.” Yuuto’s heart felt split in two, and a hot bead of sweat trailed past his temple.

“I will show you later, father… after my studying.” Kaiyu Akihiro was not convinced, and his mask of sincerity was suddenly removed to reveal a much darker underside.

“Kaiyu Yuudai - you would not disobey your father now, would you?” Slowly, Yuuto opened his bag where he kept his weapon, and revealed his trusted wakizashi. Kaiyu Akihiro took it and studied it for a moment.

“This is not a family weapon. Where did you get this blade?” Yuuto quickly stuttered an answer.

“I bought it myself. From the market.” Kaiyu Akihiro gave Yuuto an unsettling leer.

“If you bought it at the market, how much did it cost?” Again, Yuuto had to think on his feet.

“1200.” Kaiyu Akihiro’s leer did not change.

“Don’t lie to me, Yuudai. Such a blade is far superior to that price. I have never seen you with this sword. If you bought this from a market you would not hesitate to show us all. You are hiding something from me.”

“No…”

“Someone gave this to you. Who?”

“No one!”

“Really…” Kaiyu Akihiro pulled the blade out of its sheath and examined the underside of the guard. Strange writing was inscribed there, and Yuuto’s father widened. “This is a Jianghu sword. You have been associating with the Jianghu!”

At that, Kaiyu Akihiro called two of his male servants.

“Take Kaiyu Yuudai to the cellar and make sure he doesn’t leave,” he stated as he pulled on his coat.

“Sir?” one of the servants questioned.

“Do as I say!” Yuuto’s father cried. “Or do you want to be kept down there as well?” His voice calmed again to a soothing voice, like the soothing voice of an assassin before the blade enters your heart. “When you’re done with that, get my horse.” He turned to his son once again. “Then we’ll really see whether you got this sword from a market.”


Aspect: Belief – “Nobility is a Virtue, Not a Privilege.”
Night had fallen, and the cellar was even darker than by day. Yuuto was shivering on the cold stone floor as he pulled his knees up to his chest. The last words his father spoke were playing over and over in his mind. Initially he was frightened for himself, as to what his father would do to him when he had absolute proof of his association with the Jianghu. However, he was suddenly reminded of that fateful day in the forest – what if his father also remembered, and had gone to investigate? Yuuto’s thoughts turned to Shizu, and suddenly he was scared for her. Up until now, he had always thought of her as a great warrior, but while she possessed speed and finesse, Kaiyu Akihiro possessed rage and strength in numbers. He was also a renowned marksman.

Flashbacks of his confrontation with Shizu were playing through in his head, but then it stopped at that split second Shizu had uttered his new name – “Yuuto”, gentleness and soaring in flight. It suited him far more than the name given to him at birth, “Yuudai” meaning “great hero”. He did not intend to be great, nor be a hero, and Shizu had uncovered this true feeling Yuuto possessed.

He had to do something.

Yuuto glanced behind him into the other side of the cellar where an iron gate stood. Originally it was to transport wine up to the cellar without using the rest of the house as a thoroughfare, but it had not been used for at least several months. A rusty padlock bolted to the bars, however, prevented him from leaving. Yuuto acted quickly, jumping to his feet and then kneeling down next to the gate. He outstretched his hand through the bars and picked up the nearest stone. Yuuto pondered for a moment if there was a quiet way to bust the padlock open, but concluded there was none. With all his might he pounded the shackle, and the noise echoed round the cellar. The servants were bound to hear, and he was right. After a few more hits Yuuto heard footsteps coming from the door up to the basement. Not wanting to waste any more time, he smashed the padlock once more with the stone, and the shackle split in two. The door to the basement was now being unlocked, but Yuuto had already grabbed an oil lamp hanging on the wall.

Without looking back, he pulled open the gate and disappeared down the passageway.

The lantern shook in his hand as Yuuto sprinted through the darkness. The tunnel carried on in a near straight-line for about a mile, until a blast of cold sea air hit him in the face. Yuuto had come out near the edge of the farmland, adjacent to the end of the main estate driveway. He bounded across the open fields to the forest, hoping with all his heart that he was not too late.

Upon reaching the cave, Yuuto realised that Shizu had gone, but a clumsy disturbance in the sand confirmed that Kaiyu Akihiro had also been there. Footprints led towards the back, and sure enough was another entrance. Once again Yuuto was back outside, but his surroundings were no longer familiar to him. Rolling hills were stretched out before him as the forest snaked across the landscape further away to the north. The stars were now strewn across the never-ending sky, with the pale moon hanging among them. Yuuto’s lamp gave out a much warmer light in contrast, but in the distance at the bottom of the slope something glowed warmer still.

As he moved closer, the sounds of voices danced around him on the air. He could not quite make them out, but he sensed fear and dread. But soon as he got closer still, his senses engulfed him like the flames that engulfed the houses ahead. He dashed down the hill and he could now make out figures dancing in the flame. Some were on foot; others were on horseback. The voices – no, screams – were getting much louder, piercing the bellowing frequencies of the spreading fires. Hooves thundered on the ash-strewn soil causing dust to fly everywhere, while their riders bore blue satin garments that imitated waves in the wind – garments that looked extremely familiar to Yuuto. He looked at his own silk tunic in complete disdain before sprinting forward once again.

He had to find Shizu.

Yuuto saw a horse rear up with a loud whinny as a blade flashed past its vision. It came from someone on the ground, but the horse’s owner retaliated by drawing a pistol and firing a warning shot in the air. The horse seemed more used to the sound of a gunshot but the villagers certainly were not, and a unison scream erupted in fright. Yuuto, however, was too frightened to scream. His eyes were now fixed on the figure who fired the gun, and was now addressing the people he had so senselessly attacked. For just a split second, Yuuto was able to see the man’s facial features as the sparks from the pistol illuminated it, but it was long enough to reveal that the one leading the attack on this village was his own father.

“Now listen to me you Jianghu scum, I am Kaiyu Akihiro and you are treading far too close to my estate. I will give you one chance to leave this place, as long as you surrender the wielder of this wakishizu to me.” As Akihiro’s speech pierced the hearts of the weary throng, he presented Yuuto’s sword and held it above him like his own trophy. Yuuto scowled at the thought of his father using his own weapon as an ultimatum, but before he could react, a familiar face emerged out of the crowd.

Her hair was dishevelled and her eyes weary as the warm light lured her into view. Akihiro did not react, but merely lowered his gaze towards her. Shizu remained silent and submissive as Akihiro slowly drew Yuuto’s blade out of its sheath, but worst of all, Shizu was unarmed. An incoherent cry erupted from the crowd in protest, but Shizu did not flinch.

“Look around, my dear, for this rather impressive blade of yours has caused all of this destruction upon your people. And you have tainted my eldest son, Kaiyu Yuudai, the rightful heir to my estate. But I am the one to seal your fate, Jianghu.”

Shizu smiled weakly and muttered, “His name is Yuuto.”

Akihiro swung the wakizashi in a seamless arc, slicing into Shizu’s neck. Drops of blood escaped the now gaping fleshwound, but her eyes did not leave Akihiro’s gaze. The blood began to cascade down her neck and she dropped to the floor.

Her silhouette had ended its final dance.

Yuuto released an agonising scream, turning Akihiro’s attention from the Jianghu. His followers also turned, and Yuuto’s father smiled.

“Now Yuudai, you see what happens when you disobey your father,” he stated as the wakizashi glinted red. “Turn around and go home, and I will deal with you when I return.”

Yuuto clenched his teeth so hard his jawbone ached; he had no intention of backing down.

“Nobility is a virtue – not a privilege.” The words spat out through his teeth like spitting embers. Yuuto’s father lazily tossed the blade away and it landed in the nearby grass.

“Virtue gets you nowhere in a society run by the privileged!” On his final word Akihiro fired his pistol in the air once again, and two of his followers jolted their horses into action, causing them to gallop towards Yuuto. Yuuto proceeded to run straight towards them, intending to get to Shizu. He headed round so he was in line with the left rider, but as it came up to meet him a burly arm from atop the horse wrapped round his torso. Yuuto instinctively sunk his teeth into the satin garment and the rider cried out in pain, his weight shifting to one side in response. Without being able to balance himself again and Yuuto still ripping into the man’s arm, he finally lost grip on his horse and Yuuto, hitting the ground below with a thud. Yuuto had caught one leg in the nearest stirrup while desperately clinging onto the horse’s main. The animal was still galloping but was now out of control, wild and unpredictable. Yuuto attempted to get a better grip on the reigns, and with all his might pulled himself up. Once he was level, he reared the horse to a halt and turned it around to face his father.

Kaiyu Akihiro had also pivoted round to face his son. A glint of rage could be seen in his eyes as he readied his pistol once again. Akihiro charged but this time Yuuto remained stationary, waiting until his father was close enough. Then without warning he stood up on the saddle and leapt towards his father, throwing him off his horse. The gun also flew through the air, landing several feet away from them both. The grass felt cool compared to the searing heat from the burning houses, but Yuuto could feel his father’s hot breath in his ear. Akihiro wrestled Yuuto off him in order to retrieve his pistol, but Yuuto spotted his blade first and darted towards it like a magnet. Quickly he readied it as Akihiro, united with his weapon once again, marched back towards his son.

“How does it feel to know that dealt your friend the killing blow? That is her blood upon your sword. I doubt you would have the guts to use it against your own father.” Yuuto desperately tried not to focus on his father’s words, and instead kept eye contact.

“I doubted you would have the guts to kill your own son, but now I am not so sure.” Akihiro snarled.

“You are no son of mine.”

As Akihiro drew his pistol up to meet his son’s eyes, he let out a bellow of pain, dropping his gun. He gripped his ankle where a throwing dagger was now deeply embedded in his flesh and toppled to the floor. Yuuto looked at him briefly before running over to where Shizu lay.

Upon seeing her body, Yuuto nearly retched, but he mustered himself to cradle her head in his hands.

“You will die like the rest of them!” Akihiro shouted, and two more of his bodyguards rushed towards the Jianghu. Someone grabbed Yuuto's wrist, tearing him away from Shizu.

“Take one of the horses and go. We will take the rest of them.” Yuuto gazed in horror at the Jianghu.

“But you’ll die!”

“There is nothing left for us now, but you belong with the rest of our clan. Look to Kausau City. There you will be welcomed by our brothers and sisters.” As Akihiro’s men closed the gap, Yuuto realised he was running out of options. Without another word, he bounded off towards the first horse as his protector rallied whomever was left to his side. Yuuto clambered onto the horse, tucked his wakizashi into his belt and rode off into the night, not once looking back.


Aspect: Trouble – ‘Not Everything Can Be Undone’

As the cries faded into silence behind him and the fires dimmed, Yuuto pressed on. So many emotions flooded through him and so many memories flashed before him: his father’s words, the blazing fires, but most of all, the sound of Shizu’s head leaving her body. Yuuto winced and his vision blurred as tears welled in his eyes. He turned to look at the sea on his left; the wind had settled to a gentle breeze. A strange calmness then flooded Yuuto’s mind. The coolness of the night air created a state of complete emotionless. He could think incredibly clearly and all his senses seemed amplified. While his heart wanted to bring back Shiza, he knew now that not everything could be undone. But the undoing would not redeem Yuuto’s predicament – it would be his actions from then on that would determine his fate. He thought back to his family, to his father, and the rest of the Jianghu who saved his life. He could never go back home. Kausao City would become his home.


[Handout-RPG] Some initial thoughts about making a handout for my Jadepunk game.

Buoyed up by my recent attempt at creating a newspaper style handout for our Skyless City Jadepunk campaign:


And a very interesting article that I read on Johnn Four's Gamesmaster Tips website (http://www.roleplayingtips.com/rpt-7-save-time-get-planning-done-campaign-newsletters/) about creating a newsletter for an RPG campaign I decided to float the idea of doing something similar for our Jadepunk campaign past my players (since i'm always banging the drum about getting ideas and collaborating with your players).

We've eventually ended up with the idea that we want a newsletter that has an issue released prior to every session containing the following contents:

  • Random world factoids
  • Legends & lore (story hooks)
  • Rumours & gossip
  • NPC profiles



Since our game is normally going to run every other week on Sunday evening (although we're having to juggle schedules a bit at the moment given the inevitable busiest of the festive/New Year period), i'm going to start trying to put out a 1 or 2 page newsletter the weekend after a session, this will not only give the players a week to read and digest the contents but will also encourage me to have stuff planned for the session a little in advance rather than leaving everything to the last minute (as I have been sometimes known to do).

My current plan is to save the newsletter as a PDF, upload it to my Google Drive and then make the links for the various issues available to the players (I may also publish them on this blog if there's any interest in people seeing them).

If anyone else has any experience (good or bad) with using campaign newsletters, let me know in the comments, i'd especially be interested to hear about the sort of things you put in a newsletter.

Tuesday, 30 December 2014

[GM tools-RPG] Edittable old newspaper template

This is a resource that TheRogueDM put me onto for use in my Jadepunk campaign, it's a Powerpoint presentation that allows you to create an antique style newspaper:



[RPG] Jadepunk Character Sheets

Some small alterations have taken place on the characters getting them ready for the first session (I tend to allow players to make minor alterations to their character sheets up until the third session), below are the current backgrounds and character sheets that we have.


Ba Tu Satoru



The man who would be known as Ba Tu Satoru was the son of the sculptor Yutaka Kazami. When he was a small boy, he made a friend at school, whose father was Isaku Jirou. One day, the fathers collaborated in a contest run by one of the council of 9, the goal was to present to them the greatest clockwork sculpture (fame and fortune as the reward). Kazami, being a sculptor by trade, lacked skill at engineering and making clockwork, while Jirou was poor at aesthetics, but they worked together to cover each other's faults. Additionally, since his father's eyesight began to fail, Ba Tu would help Kazami by working on the finer details of the sculptures for him, though everyone else believed that he was just there to watch.

On the last day of the contest, Jirou betrayed Kazami. He made his own son stop Kazami's son from trying to help his father. Jirou's son, while crying and begging for forgiveness, bound his best friend's wrists and legs and went into Jirou 's hideout with him. Jirou locked him in, until he could come back .Meanwhile, Kazami killed Jirou in a rage and then fled the city, abandoning the search for his son. Since Jirou could not arrive back to release Ba Tu after the completion the boy began to starve in his prison.

Ba Tu would have eventually died, had it not been for the chance arrival of Dogen Hōinbō, a blind professional assassin who just happened to be passing by at the time with his dog Kuro, who noticed the pair. Hōinbō saved the boy and took him in. The trauma caused by his near-death experience left him unable to recall much from before his rescue.



Sora Yoshida

Born to a Naramel nomadic tribe called the Red Talons Sora Yoshida spent his child hood years hunting for red jade out in the desert wastes with his family. Educated by the elders of his tribe Sora, became accustomed to the traditions and beliefs of the old gods, the pursuit of virtue.

While navigating the dune sea Sora came across a long abandoned village, uncovered by the erratic winds that trap the unwary. Upon approach an airship crashed into the village with a thunderous roar, not unlike laughter to Sora’s ears. Racing to search for survivors, only one is found close to death and covered in strange, almost animated tattoos. 

Before Sora could react the man grabs him by both fore arms and whispers to him, “My time is at an end but yours is just beginning, you have been chosen for a great task, Sora and I am afraid a difficult burden”.

The deserts are no place for children, so unlike the other clans Naramel’s youngsters grow up fast, usually gaining a hard survivalists edge. Sora already had enough problems with the weird dreams and compulsions that seemed separate from his own. He had though the incident at the abandoned village was a nightmare he had dreamt up until the incident at grey tower trading post. He had been unpacking satchels of red jade to be bartered for provisions when he suddenly found himself involved in a dispute with a water merchant and the local militia. 

With a strength that seemed beyond him he threw the guards into the fortified town wall.

To prevent his execution for this folly his clan smuggled him out and sent him to a distant relative in Kausao city.  There he confided in what would become his mentor about what he had witnessed, He believed the solution was to honour the old gods through an ancient series of traditional dances. Secretly also a martial art Sora spent several years practicing and perfecting this tradition. That is until his mentor’s temple is shut down by corrupt law enforcement cracking down upon any form of martial arts.

This leads Sora to end up coming into contact with the City’s less savoury characters in order to survive.  

In return for a favour owed Sora was able to learn something of his “condition” from a contraband book. It tells various tales of the land, some familiar to him while others totally alien. The tale of the laughing emperor was particularly interesting. It spoke of a legend of a man who managed to imprison a powerful spirit referred to as a djinn whose magic came from magical ink that adorned its body. Forced to aid in the creation of an empire, when the mocking emperor made a grave error in insulting the creature wishing it could stop him if he could, knowing that spirit could no directly lay a hand upon his owner. The djinn in retribution sacrificed itself into a thousand shards reportedly imbuing individuals who come into contact with them with the power to fight tyranny. 

A small faded illustration of a man bearing remarkable tattoos not dissimilar to Sora’s own was also provided. Most interesting was the bracelet the sketched described as being the way in which this dangerous legacy can be used. 

To find this item if possible and learn to control his tattoos Sora decides the time has come to fight back.




Kaiyu Yuuto



Background TBC



Monday, 29 December 2014

[Actual Play] Skyless City - Session 1


This is the first session of our new Jadepunk campaign, it finds our heroes aboard a sabotaged Aerum airship plummeting towards Kausao, perhaps our heroes weren't the only ones attempting to take advantage of the Governor's aerial tour of the city? But can they allow the massive collateral damage that the airship crash will cause?





Monday, 22 December 2014

[RPG] Initial Jadepunk Characters

Thoroughly enjoyed our character generation recently for our forthcoming Jadepunk game, although they may still be subject to some tweaking and alteration, here is a look at the initial character designs.

Kaiyu Yuuto 

A young man raised into a life of priviliege who secretly became friends with a young girl from the poor district and, through her, was lead into helping the Jianghu fight against the oppresive regime of the 13th Governor.





Ba Tu Satoru

Born the son of a clockwork engineer, Ba Tu Satora was betrayed by a friend and left to die; his unlikely saviour came in the form of Dogen Hōinbō, a blind assassin who rescued the young boy and trained him in the ways of the silent killer.






The Tattooed Man (character name pending)

Inheriting strange black jade tattoos and a legacy of mysticism when he discovered a strange creature in a crashed airship, the tattooed man now uses his formidable powers to fight against the corrupt regime that holds Kausao in it's vice-like grip.

[RPG] Using Hive-cities in RPGs

Hive Cities in RPGs

In this blog entry I want to talk a little bit about a concept that I have used in numerous roleplaying games and that seems to be very popular with my players (it's going to be used in my forthcoming Jadepunk game 'The Skyless City' - you can see the video of our character and setting creation here), the concept of the hive city.

What do I mean by hive city?

A hive city is a city that is built upwards instead of outwards and in many different layers, different layers normally have different characters.

I think that I probably first came across the concept of a hive city in the Games Workshop skirmish wargame Necromunda (http://en.wikipedia.org/wiki/Necromunda), in it gangs from various houses via for supremacy on a world that has been utterly polluted by industry; the hive citys or hives are huge man-made structures reminiscent of massive artificial termite mounds, each producing a stagger amount of manufactured goods and housing many millions of people. In general the uppermost spire of the hive world serves as the domains of the rich and privilieged, rising above the polluted atmosphere of the planet and touching the edge of space itself, the waste productions and pollution of the hives flow downwards forming a poisonous lake or sump at the very base of the hive; life on the lower levels become increasing unpleasant as the denizens are forced to drink water, eat food rations and even breathe air that has been recycled many times, the radioactive waste at the bottom of the hives also gives rise to horrendous mutants and monstrosities.

Here is a picture of a Necromunda style hive found on Yaktribe Gaming (http://gaming.yaktribe.org/community/threads/pictures-of-hive-cities-help-needed.2372/) posted by Malika.


Using this concept in RPGs

Although the concept (well at least my initial encounter with it) came from a dark, nihilistic science-fiction genre it can be used in almost any RPG, where the technology exists to create tall structures with multiple levels; for example Jadepunk is an amalgamation of steampunk ideas, wuxia and westerns, using enchanted jade in the place of more traditional steam based technology. Whilst designing our setting, one of the things that I was very keen to do (as I am in all of my games) is to get the players involved as much as possible in helping to design the setting where the game takes place; my general philosophy when using a published setting is that I start with the published material as a baseline, but that player and GM choices supersede anything written in the published setting. For example: In our Jadepunk game one of the players asked whether the game featured mythological creatures since he wanted to have a background that involved a Djinn-like creature, although the canon setting is largely focussed on humans, I see no reason why I would want to stifle a players creativity by refusing to incorporate something that could add a lot to the game and even take it in interesting new directions.

Why use a hive-city type structure in an RPG

One of the benefits of hive structure is that it enables you to present a (literally) multi-layered setting that illustrtates the contrasts and differences between the different layers without having to have a monumentally huge area. As you climb higher out of the pollution the people become more refined and the surroundings more opulent, whereas in the darker layers shut away from the sky and the clean air you have poisonous fogs, pollution where people live and die in abject poverty.

A hive-city is also a way of making class differences very obvious and present in a physical way, the rich and poor are not only divided by wealth and lifestyle but literally they exist on different levels of the game world; a poor person can only dream of climbing to the upper echelons and feeling the sun upon their face whereas the exceptionally wealthy live in luxury at the top of the hive or perhaps even floating above it (depending on the setting and technology available). Hive-cities also mark the PCs in your game as being something special, since they will be one of the few groups capable (or compelled to) move between the different levels whereas most of the poor will be forbidden from the upper levels and most high level dwellers would not sully themselves by descending into the depths.

In the modern world tall structures are quite prevalent and imply a certain level of civilisation, you only need to look at the modern high-rise skyscrapers of a city to see this, and this implied civilisation can give an interesting contrast in a game where you might otherwise not see it (such as a fantasy game for instance), especially when it is contrasted with some of the barbaric acts that often occur in many different RPGs; the veneer of civilisation can be quite thin and can hide a great deal of horror and darkness when it is peeled back, like a fine carpet covering a rotting and decaying floor.

Things to keep in mind when using a hive-city structure in your game

1. Decide roughly how large your hive is going to be: This doesn't have to be an exact measurement but you should know whether your city is going to touch the stars or whether it's just a few levels in height.

2. Decide on the character of the different levels: Each floor of your hive does not have to be different, you can group several of them together to create an area with a certain theme (a poor district or manufacturing levels for instance), but you should have a rough idea of the different levels that exist in your hive city.

3. Create some evocative details for the different levels: Once you've created the level grouping think about how they look or feel different from each other and the differences in the people that inhabit each level.

4. Consider how difficult it is to move between levels: A world with a lot of social mobility and movement between levels will feel very different to one where the boundary between rich and poor is guarded by troops wielding shotguns, also your PCs will inevitably want to move between levels at some point so give some thought to how this might be accomplished, whether there are any secret ways to do it and who else may move between the different levels.

5. Think about how the different levels affect and rely on each other: Different levels exist in a sort of eco-system where they affect each other and sometimes rely on each other, you don't have to detail out a full ecological model but it's definitely something worth thinking about before your game starts.

Getting the main aspects of your hive game down is far more important than having a perfectly detailed and rendering map of all the levels, i'd actually recommend against too much detailed mapping since it may not leave you much room for expansion and incorporation of later ideas.

A txt version of the rough concept for our Jadepunk hive city can be found here: https://drive.google.com/file/d/0ByVpAo4rxDGuWGU1Wjd0U0J3emc/view?usp=sharing

Next time you want to give your game a bit of a different flavour or you fancy highlighting societal levels and differences in a very physical and obvious way, give hive-cities a go they're great fun and can add a lot of depth to games.

Edit: My friend John Miles has just reminded me of another excellent fantasy version of a hive-city, the city of Sharn from the D&D Eberron setting, you can find more details about it here: http://eberron.wikia.com/wiki/Sharn